Material at the PavilionGerman Pavilion, Venice, 2023Concept Drawing by Theo de MeyerGiulio Lazzotti, Equibillo, 1981
(c) Anouk Meurice
(c) Anouk Meurice
(c) author
The
gallery and initiative were lacking a space to sit together. The initial idea
of providing a conference table at sale Docks was translated into a lower
table, inspired by the low Roman dining tables. The height and organic form
play with the boundaries of the vertical pillars of the mezzanine. The pillars
and table are in direct relationship to each other, creating a backrest and
allowing different uses - sitting on the table, sitting against the columns,
sitting on the floor, or sitting on a chair placed next to it.
It was largely inspired by the place itself and by the material that was
available at the repository, namely the golden metal sheets from the Uzbekistan
Pavilion together with three wooden plates forming the tabletop. It mainly
consists of three parts held together by different ornaments on top, a
multifunctional umbrella holder and yellow hinges. The tabletop rests without
connections on aluminum profiles from the Danish pavilion and concrete bricks
from the Italian pavilion. Stretching into each segment and reflective, fluid
as the ground painting.
Being the object in the center of the space, the low table is playing with
scale and proportion to become a little extra. The objects used as table legs,
as well as the ones on top, play with the elevation of the usual staticness of
tables ensembles. While putting things together, an almost dramatic performace
on material compositions emerged which ended in fun and extravagant styles of
waves, palms, randomness - though assembled thoughtful and precise.
TEAM
Tom Las Kohrs,
Elina
Lenders, Anouk
Meurice
LOCATION
Venice, Italy